Series: Theatre Illuminata #2
Published by Feiwel & Friends on May 25th 2010
The stuff that dreams are made on.
Act Two, Scene One
Growing up in the enchanted Thèâtre Illuminata, Beatrice Shakespeare Smith learned everything about every play ever written. She knew the Players and their parts, but she didn’t know that she, too, had magic. Now, she is the Mistress of Revels, the Teller of Tales, and determined to follow her stars. She is ready for the outside world.
Enter BERTIE AND COMPANY
But the outside world soon proves more topsy-turvy than any stage production. Bertie can make things happen by writing them, but outside the protective walls of the Thèâtre, nothing goes as planned. And her magic cannot help her make a decision between—
Nate: Her suave and swashbuckling pirate, now in mortal peril.
Ariel: A brooding, yet seductive, air spirit whose true motives remain unclear.
When Nate is kidnapped and taken prisoner by the Sea Goddess, only Bertie can free him. She and her fairy sidekicks embark on a journey aboard the Thèâtre’s caravan, using Bertie’s word magic to guide them. Along the way, they collect a sneak-thief, who has in his possession something most valuable, and meet The Mysterious Stranger, Bertie’s father—and the creator of the scrimshaw medallion. Bertie’s dreams are haunted by Nate, whose love for Bertie is keeping him alive, but in the daytime, it’s Ariel who is tantalizingly close, and the one she is falling for. Who does Bertie love the most? And will her magic be powerful enough to save her once she enters the Sea Goddess’s lair?
Once again, LISA MANTCHEV has spun a tale like no other—full of romance, magic, adventure, and fairies, too—that readers won’t want to put down, even after the curtain has closed.
Sequel to Eyes Like Stars
I have to be honest here, Perchance to Dream felt scattered to me at times. The setting was hard for me to picture. Otherwise, it was the usual rescue adventure with obstacles caused by mystical forces. The whole setting felt surreal and I couldn't seem to focus on what was going on and then suddenly they were moving on to something else. It was kind of a trip.
Okay, why can't Ariel just be the bad guy? I feel like he should be, but he isn't – it's just how Bertie reacts to his "love" for her. Okay, less venting about Ariel versus Nate.
I cannot connect with Bertie as a character. I think the problem is I can't see her background clearly in the books and how it's made her into who she is. I don't understand her. Why does she push Ariel away? Why is Nate the one she runs after to save? I'm not quite clear of her motives and then the sudden father figure entering the stage threw me off and it felt awkward and really weird all at once. I do love the fairies – they crack me up and keep me fairly sane throughout the whole adventure. They are constant in their love for food and constant bickering and insanity. Definitely my favorite characters.
Final Verdict: I can relate to the fairies, but I feel like the other characters aren't as real. There's nothing quite human about them besides emotions and I need some basis in reality to really connect. I'm sure people involved with theatre would understand this novel more, especially with the scene changes and play-writing.
Cover Commentary: Gorgeous. I may buy it just to have it next to Eyes Like Stars, which I enjoyed more than the sequel for some reason.